Professional Color Grading Kit
Professional Cinematic LUTs for Serious Colorists
Industry-grade color science for DaVinci Resolve, Premiere Pro & Final Cut Pro. Built for LOG footage, film emulation, and a clean cinematic pipeline.
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Instant download · Secure checkout · 24 Hour Refund Policy
Demo / Preview
Color Grading Demo Video
See the LUTs applied to LOG footage in DaVinci Resolve — full before / after grade walkthrough.
What's included
- 500+ Pro Cinematic Film LUTs (.cube format)
- Film Emulation Looks — Kodak, Fuji, Teal/Orange, Bleach Bypass & Matte Finish
- LOG-ready calibration — S-Log3, V-Log, C-Log, F-Log → clean Rec.709 output
- Compatible with DaVinci Resolve, Premiere Pro, Final Cut Pro & After Effects
- Node-friendly workflow — drag, drop, dial intensity
- Works on RAW, LOG, Rec.709 & HEVC footage
- Lifetime access + free new looks added regularly
About this grading kit
A professional color grading kit engineered for colorists, film editors, and high-end content creators who demand consistent, cinematic results across every project.
Every LUT is calibrated on a Rec.709 base with a clean conversion path from major LOG profiles — S-Log3, V-Log, C-Log, F-Log — so highlights roll off cleanly, skin tones stay accurate, and shadows hold detail exactly where you need them.
Use each LUT as a creative starting point on a dedicated grading node, or drop it as a final filmic finish on top of your primary correction. Either way, it integrates into your existing pipeline without forcing a new workflow.
Perfect for:
- Professional Colorists
- Film & Short-Film Editors
- YouTube Filmmakers & Cinematographers
- Freelance Video Editors
- Commercial & Brand Editors
- Documentary & Narrative Production Teams
Software Compatibility
Compatible With
Works seamlessly with the editing software you already use — drag, drop, and start editing.
Built for a Professional Color Pipeline
Film Emulation
Filmic highlight rolloff, organic contrast, and clean shadow density inspired by Kodak and Fuji film stocks. Every grade feels textured, not digital.
LOG → Rec.709
Calibrated against S-Log3, V-Log, C-Log and F-Log so your LOG footage lands in Rec.709 cleanly — no color shift, no blown highlights.
Precision Color Science
Node-friendly grading on a stable Rec.709 base. Drop on a dedicated grade node, dial intensity, and match across every clip consistently.
